People are fed by the food industry, which pays no attention to health, and treated by the health industry, which pays no attention to food.
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| — | Wendell Berry (via azspot) |
Nellis tensed in anticipation as she concentrated on the city, her tall, sinewy frame physically tightening. There were probably survivors tucked away, nestled in the cities crooks and corners. Each city had them: pockets of the stalwart, unwilling to die, fixed to the idea of “home” which had…
The Endless Wastes updated yesterday. You should read/follow it.
life:
This picture originally appeared in the “Letters to the Editor” section of a 1940 issue of LIFE, before Nina Leen began shooting regularly for LIFE. Caption: “She is dripping wet — and wiser.”
Definitely wiser, my thoughts exactly. On that note, don’t miss out on the rest of Nina Leen’s best photographs for LIFE here.
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This a transcript of our bi-weekly RPG sessions?
Chris Fraser creates dazzling light installations by turning a dark enclosed room into variation on a camera obscura. A precursor to the camera, the camera obscura is “a box or room with a hole in one side. Light from an external scene passes through the hole and strikes a surface inside where it is reproduced, upside-down, but with color and perspective preserved.”
Fraser on his project:
My light installations use the ‘camera obscura’ as a point of departure. They are immersive optical environments, idealized spaces with discreet openings. In translating the outside world into moving fields of light and color, the projections make an argument for unfixed notion of sight.
Tyree Callahan - Chromatic Typewriter, 2011 - A 1937 Underwood standard typewriter modified to produce colors instead of letters
